A very fine semi-transparent linen cloth, often used for men’s shirts.
A high quality broadcloth, made of merino wool, heavily felted, raised, and cropped to provide a slight lustrous sheen. Much used for men’s coats throughout the 19th century.
A fabric blended of cotton, silk, and wool. The warp was of cotton and/or silk, the weft of wool. It was extremely popular for waistcoats during the Regency.
A sleeveless under-coat (what Americans would call a vest), either single or double breasted. During the Regency, they were short, and cut square across the waist. The single-breasted waistcoat was most often worn with evening wear; single- or double-breasted styles were worn with day wear. Throughout the early 19th century, the waistcoat almost always had lapels. Sometimes waistcoats were layered, often pairing a white waistcoat underneath a patterned waistcoat.
The image shown is a detail from a “Costume Parisien” print from the French magazine Journal des Dames et des Mode, December 20, 1811.
A euphemism for men’s breeches or trousers.
During the Regency period, trousers were basically a type of pantaloon that reached the ankle. They were not as tight-fitting, but instead fell almost straight from hip to below the ankle. Beau Brummell is said to have invented the fashion for wearing black trousers for evening wear, with straps under the foot to keep the trouser line straight. If straps were not worn, often there is a slit at the hem in the front, as shown in the print, allowing a long trouser leg without a break, or bunching up, in the front over the shoe. Trousers were worn with simple shoes or pumps, never with boots.
The image hows a detail of a “Costume Parisien” print from the French magazine Journal des Dames et des Modes, June 25, 1812.
Sometimes called tall boots, as they road higher on the calf, top boots had turned-down tops, often in a lighter color than the boot, and low square heels. Loops on each side of the boot facilitated pulling them on. Boot garters were sometimes attached to the back of the boot and fastened in front, above the boot, as seen in the print shown here. Top boots were usually worn with pantaloons or breeches.
The image shows a detail from a “Costume Parisien” print from the French magazine Journal des Dames et des Modes, December 20, 1811. Dressed for riding, the gentleman is wearing top boots with boot garters and spurs.
A double-breasted coat, cut to form tails at the back while the front was cutaway at the waist. The collar was generally stiff and high-standing with notched lapels. This was standard men’s wear during the Regency, with changes over time in the cut of the waist (straight or curved), the width and notching of the lapels, the fullness of the sleeve, etc.
The image shows a detail of a “Costume Parisien” print from Journal des Dames et des Modes, May 25, 1809. The straight-cut waist was by then more popular than the curved cut of earlier years.
A shaped neckband of stiffened material or horsehair, covered with fabric, worn high at the throat, and fastened at the back with ties or buckles. A neckcloth or cravat was typically worn over the stock. A stock, often in black, was a part of most military officers’ uniforms.
Worn with boots by men of fashion for all occasions when boots were appropriate, even when not riding.