Journal des Dames et des Modes, Paris, April 30, 1801.
“Toquet Brodé, à Pointes.”
This simple white, probably muslin, dress is cut very low at the bosom and long at the hem, including a demi-train. A British print would likely have included a fichu or chemisette to cover the expanse between neck and bosom, especially in a day dress. But this is a French print, after all. Always a bit sexier than the British ones. A simple black cord with tassels is tied around the high waist.
The black spencer has a standing collar and appears to be cut very high in the back. The sleeves, in typical French style, reach very low on the hand. She wears short yellow gloves and black slippers or sandals. Her cap looks to be made of pink and white lace strips and is said to be embroidered.
My favorite element of the print, though, is the reticule, which was called a ridicule at this time in both France and England. French prints often give us a better look at a reticule. This one is a very common style of reticule: a drawstring bag with tassels and a ribbon or cord handle. It could easily be made by a home seamstress.
The book she holds is titled “Solfège,” which was a type of mnemonic used in teaching music. Is she a student of music? Or perhaps a teacher?
